MADMAPPER NO SOUND SOFTWARE
The software allows live operators to enhance performances by extracting images and elements from live camera signals and graphics. Live production specialist Vis-A-Vis Video works with hip hop band N.E.R.D, using Catalyst V6 connected to Blackmagic UltraStudio Mini HD and two MacBook Pros. “This live TV/sports technnology is at an achievable cost point for events and live shows to rent now.”
“Machines from EVS afford us the tools to replay and edit as soon as something live has happened on camera,” says Dew. Instant editing means AV content can be created almost on the fly. We replaced the human element of vision mixing the cameras with a computerised, pre-defined source selection in response to musical elements of each song at speeds that would be unachievable manually.” “With Rudimental, on-stage micro-cameras created an ever changing live canvas of drummer close-ups, dancers and brass players. “As cameras get smaller and better we can offer audiences more candid and unique views, such as cameras mounted on instruments,” says Dew. Thanks to advances in sensors and the introduction of optical image stabilisers and fanless designs, IP-based remote cameras are filming details that could never be captured before.
MADMAPPER NO SOUND PORTABLE
“The technology associated with making portable JumboTron screens has allowed the image magnification industry to do much bigger, brighter and better-looking work.”
MADMAPPER NO SOUND TV
“Almost every concert tour carries image magnification of some sort, particularly for LED,” says Nic Dugger, president of TV production company, TNDV.
And at four Holland zingt Hazes concerts at the Ziggo Dome in Amsterdam, a hologram of singer André Hazes was projected on to a new, invisible NovaLine screen injected with nanotechnology.” PRG used similar technology on the Fast and the Furious roadshow, live-mapping 42 cars moving around the arena floor. “We demonstrated this at ISE 2018 with the ‘holographic showstopper’ which showed two robots whose dance moves were tracked to allow synchronised projected images to be shown on a holographic screen. “We’ve seen big growth in the use of holographic and live projection tracking,” says Lucy Meredith, field marketing specialist, Panasonic. “This is no more apparent than on prime-time TV, where pixel count can be in the tens of millions without a rectangle in sight.” “With the growth of easy-to-use, easy-to-deploy content mapping and video distribution systems, irregular shapes are starting to take over,” says Joe Duffield, managing director of live events company, Connect Live. This has five Panasonic RZ31K laser 30,000 lumen projectors, totalling 150,000 lumens of light.” “Rather than joining projected images together to create a larger canvas we use multiple units on top of each other with the same image to increase brightness. “The Pet Shop Boys make use of laser-sourced digital projectors for their on-stage screens,” says Nick Dew, director of live production specialist, Really Creative Media.
0 kommentar(er)
